THE PILLOW BLOG

 

Somatic Disembodiment – Or: How do I figure out what I want (and that it’s actually what I don’t want)? Or: My favorite workshops are the ones that turn workshops upside down
Beate Absalon Beate Absalon

Somatic Disembodiment – Or: How do I figure out what I want (and that it’s actually what I don’t want)? Or: My favorite workshops are the ones that turn workshops upside down

“We’ll begin with a brief meditation in which we reflect on states of mind that are not focused on pleasure and satisfaction. Our aim is to reflect on the nature of desire and ask whether our desire has far more to do with self-denial than with self-fulfillment.”

 

There it is! The note I was looking for…

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Workshop on Sexuality. Part I
Beate Absalon Beate Absalon

Workshop on Sexuality. Part I

Sexuality within a committed relationship works differently than casual hook-up sexuality. This distinction can help you address relationship issues and avoid frustration if you expect things in bed with your spouse after a trip to IKEA to be just as passionate as they are with a mysterious guy you picked up at a jazz bar. Similarly, teenage sexuality works differently than adult sexuality. A distinction that helps you adapt your sex education knowledge to this new phase of life and avoid stress when you expect body parts to become erect and lubricated just as easily as they did when you were…

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Workshop on Sexuality. Part II
Beate Absalon Beate Absalon

Workshop on Sexuality. Part II

We’ll continue our exploration of how workshop sexuality differs from other forms of sexuality. In Part I, we concluded that workshops are structured around a didactic framework, follow a plan, and prescribe certain rules and etiquette. For this reason, the claim that workshops break social norms is only partially true. As is often the case, breaking with norms here does not simply mean a lack of norms, but rather the establishment of a new norm. In our society, for example, it is “normal” in the sense of “common” for sex to be largely nonverbal. And this does not mean the absence of dirty talk, but rather an honest and respectful exchange about what one likes and what one does not. In sex-positive workshops, on the other hand…

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Workshop on Sexuality. Part III
Beate Absalon Beate Absalon

Workshop on Sexuality. Part III

In 2021, the Institute for Cultural Inquiry in Berlin hosted a conference titled “The Workshop—Investigations Into an Artistic-Political Format,” whose content offers wonderfully illuminating insights into the internal logic of sex-positive workshops and their influence on a particular understanding of sexuality. Presentations explored all the wonderful promises of workshop culture: solution-oriented collaboration, the solidarity-based sharing of resources and knowledge, and mind-blowing opportunities for consciousness-expanding experiences through meditation exercises, psychological self-observation techniques, improvisation, or orgy experiments... According to the conference description, workshops are considered “highly adaptable and almost universally applicable…”

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Workshop on Sexuality. Part IV
Beate Absalon Beate Absalon

Workshop on Sexuality. Part IV

The last blog post mentioned the cultural studies conference “The Workshop - Investigations Into an Artistic-Political Format” at ici Berlin, where workshops were also examined for their distinctly artistic and performative aspects. Similarly, sex-positive workshops are a kind of performance or social sculpture that follow choreographies. Many theatrical concepts apply here: a specific form of interaction is rehearsed, skills are practiced, and rituals are performed. This shapes workshop sexuality as an ars erotica. Here, there is no need to…

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But I'm a Creep. A lab report.
Lumen d'Arc Lumen d'Arc

But I'm a Creep. A lab report.

This text is meant to be a warm companion for you before or after attending our workshop: ON CREEPY OLD MXN & BEYOND – & playSPACE, Saturday, December 18, 2021, at serrat(u)s bodywork in Zurich. – – – "How about I follow you around all day tomorrow?" - "But then I would know that... Maybe you could hire someone I don’t know to follow me around in secret like a stalker?” – “Oh, that’s a good idea!” – Two people plot how to get to that feeling that sends cold shivers down your spine. Because something feels off, even if nothing clearly dangerous is happening. They are surrounded by a whole group of people who are compiling some sort of curiosity cabinet of such weird ideas. One person is thinking of designing jewelry out of clipped toenails, while another wants to take up a creepy passion for a private collection: to secretly cut off a lock of hair from each of her lovers and catalog them. One woman kneads pizza dough to put on her face as a grotesque mask, because she was deemed too young and pretty to trigger this specific…

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Daniela Reina Téllez on the Power of Workshops and Circles
Beate Absalon Beate Absalon

Daniela Reina Téllez on the Power of Workshops and Circles

Daniela works “in the fields of experimental art and somatic work” and explores “the political, ecological, and activist potential of workshops and body practices as artistic practices.” What a joy and pleasure it was to meet this wonderful person at the Touch & Play Festival! I was moved by her social media post, in which she shared the transcript of her talk below, with the words: “(…) Fellow and dear facilitators and circle-holders: Thank you for the work you do ❤ Let’s keep gatherings and circles alive, especially now; virtually, outdoors, with distance, with safe(r) measures… Let’s keep them and us alive!” And thank YOU for the work you do, Daniela! I hope that reading about her artistic journey and her tribute to workshops, gatherings, sessions, and circles reaches and enriches many people. Because course and bodywork is immensely important, yet is sometimes, strangely enough, met with derision, even though it ranks among the most meaningful events and creations I have had the privilege of experiencing and shaping myself in this life. That’s why—here we go…

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Testimonial for our "Trial & Eros" workshop by Claire
Beate Absalon Beate Absalon

Testimonial for our "Trial & Eros" workshop by Claire

This time we would like to share with you a longer reflection by a participant in one of our workshops. During the wonderful week-long gathering "Touch & Play" in southern Germany, Beata facilitated an intensive session she called "Trial & Eros – Engineering Fantasies and Navigating Playspaces," which was all about figuring out what erotic fantasies you have, how to make them come true, how to use the group and the atmosphere to actually make it happen, how to reflect with others on how it went, and then doing it again—but better! Basically, it aimed to motivate participants not just to float around in a playspace like a jellyfish and see where they end up (chances are it’ll just be a cuddle puddle…), but rather to approach it like an architect or a group of savvy researchers who want to harvest the good stuff and proactively build their dreams.

And here is what Claire experienced...

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Intimate Interviews Part I – The Intersection of Art and Desire, and a Workshop Request Show
Beate Absalon Beate Absalon

Intimate Interviews Part I – The Intersection of Art and Desire, and a Workshop Request Show

Last year, we had the pleasure of interviewing wonderful and talented people about everything that also occupies us in our work. To start things off, we treated our interviewees to a bodywork session of their choice, so we could get the conversation flowing with a good rush of blood. We had prepared many questions, some of which came up repeatedly, while others arose spontaneously. So the conversations usually began with a free association on the topic of “sex”—simply saying whatever first came to mind, without thinking. And toward the end, the focus was mostly on what specific workshops on creative intimacy they would like to see. What emerged between us and was put into words is, to me, pure gold! Here is the first transcribed interview!

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Clauses. A Self-Reflection
Beate Absalon Beate Absalon

Clauses. A Self-Reflection

The list of things we want to include as guidelines in our workshop descriptions keeps growing longer and longer with each workshop we hold. For example, at one point it felt sufficient to simply state that “people of all genders and sexual orientations are welcome.” It’s now clear: simply mentioning that isn’t enough, of course. Because a mixed group brings its own explosive potential, and while everyone is welcome, how do we address the specific challenges that arise? Can workshop facilitators talk about vulvas in a way that allows people without anatomical vulvas—but with energetic ones—to receive their vulva massages? Who can do that? How? And how do group leaders navigate this, ensuring a group handles it coolly when, for example, structurally marginalized people (e.g., people with bodies that, across the spectrum of race, gender, age, and disability, present conditions different from what a socially conventional norm dictates) are present—without triggering…

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On Wellness and Exorcism: An Essay on What Makes a Session Valuable
Beate Absalon Beate Absalon

On Wellness and Exorcism: An Essay on What Makes a Session Valuable

It’s always a balancing act: the whole thing with sitting in a circle in workshop settings. It feels unbearably didactic when everyone takes turns, like chickens on a perch, laying an egg and having to say something (side note: and, interestingly, how often people end up talking about their own tiredness or alertness). On the other hand, it’s also wonderfully democratic when everyone is given space to speak and listen, without shyness or self-confidence (or overconfidence) determining who speaks. And then there’s the admittedly always powerful symbolism of the circle, which in séances even makes tables move as if by magic…

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Dealing with the Unexpected: Reflections After a Workshop
Beate Absalon Beate Absalon

Dealing with the Unexpected: Reflections After a Workshop

“Feeling good isn’t a special quality,” my Butoh dance teacher Anna Barth explained many years ago. One might have thought her cynical, but instead, my heart opened up. Like a wise enticement, the sentence expressed what one senses but searches for in vain when Instagram images routinely elevate comfort to a desirable standard. With this sentence, a space opened up that hospitably granted access to a variety of moods and feelings. The goal was no longer to lead a happy life, but a rich one. When dancing, this manifested itself in such a way that I shamelessly no longer…

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