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Inspiring Restraint – Not Just in Japanese. Cultural-Historical Connections to Bondage
Beate Absalon Beate Absalon

Inspiring Restraint – Not Just in Japanese. Cultural-Historical Connections to Bondage

“[…] it matters what stories we tell in order to tell other stories; it matters what knots tie knots, what thoughts think thoughts, what ties tie ties.”
– Donna Haraway

Anyone who has gotten a taste for bondage and wants to learn more about the techniques, schools, and origins of restraint practices—beyond improvised tying with a bathrobe belt—will sooner or later come across the Japanese arts of restraint known as shibari or kinbaku. The discussion then immediately turns to the Hojojutsu practices of the samurai, which date back to the Japanese Middle Ages and involved using rope restraints to subdue opponents. One learns that Shibari/Kinbaku developed almost organically out of Japanese everyday culture, which is entirely geared toward binding—after all, kimonos and gifts are also tied with a furoshiki. In his highly acclaimed book *The Beauty of Kinbaku*, Master “K” never tires of emphasizing how closely Shibari/Kinbaku is tied to Japanese…

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The Ropes That Mean the World. Reflections on the EURIX – Rope Artist International Performances, Spring 2019
Beate Absalon Beate Absalon

The Ropes That Mean the World. Reflections on the EURIX – Rope Artist International Performances, Spring 2019

The most recent EURIX—an event dedicated to bondage, shibari, and kinbaku—presented its third edition of the “‘Rope Artists International’ Rope Bondage Performance Festival,” which aims to bring the performative aspects of rope bondage to the stage. “For this edition, we paired rope performers with experts in the field of professional performance and invited them to explore the intersection between art and kink,” explains the event description, adding: “Since EURIX focuses on creativity and innovation and brings together the most skilled riggers and models, the performance program showcases not only high-level technical skills but also presents the latest developments in aesthetics and theater…”

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